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Selfishness Victor Frankenstein

In Frankenstein, both film and book portray Victor as a selfish identity who is merely concerned about his own well-being. In Frankenstein by Mary Shelley, Victor is totally centered on creating real human life and does not care that he's hurting his family, Elizabeth and the monster. The exact same is true in the film, what appears like a self-less act on Victor's end by building a wife for the monster he really wants to keep Elizabeth for himself when he brings her back again to life following the monster kills her. The film by Kenneth Branagh and the novel both highlight how irresponsible Victor's persona as he withholds information from his family and will not tell the truth to prevent Justine from being executed for a murder she did not commit. Both texts juxtapose Victor's character along with his monster's personality as he helps out a family group as he educates himself how to learn. We observe how unselfish the monster is in comparison to Victor. (Fix after and add a estimate from source)

First of most, Frankenstein created the monster so he could change the energy of life, not to learn from the knowledge. He started the experience out of his own home indulgence as ignores his family back Geneva. He's so immersed in his studies fascinated by the creation of life as he studies what the body is made up of and exactly how it falls aside. At first it would appear that he is just a keen scholar, but later we learn that Victor has been going to gravesites collecting corpses to bring life to human being parts that have been once deceased. Victor completely disengages from the entire world when away at school after his mother dies of scarlet fever which he did not take very well. "It is so long before the mind can persuade itself that she, whom we found each day, and whose very lifetime appeared a part of our very own, can have departed for ever beforewhy must i identify the sorrow which all have sensed. "(Shelley 43) He completely devotes himself to creating this masterpiece still in pain over the death of his mom becomes obsessed neglecting the family members who remain alive as he becomes pale and unhappy obsessed completely with the duty. It isn't until he experiences the pain of death that he is driven to control it. He wishes new knowledge so that he can prevent himself from dying, to find how to be immortal as he spends many sleepless times to be able to bring life to his monster. Inside the novel, each time one of is own teachers show Victor something new he works hard to understand it which explains why it appears that he is merely an excited student, whereas in the film Victor's professors forbid him to speak about reviving human life. Inside the film it is clear what Victor is after so we are not surprised when he creates the monster since his obsession is clear. As Lunsford argues:

Victor has no real friendships. . . when he goes to university and starts his search for enlightenment. Although Victor says he'll have to "form [his] own friends" in Ingolstadt, he never does, at least not in the traditional sense. Instead, he latches onto the chance of his reputation and resolves to "enter the world which of course leads him to practically form his own "friend"-the monster (Lunsford)

Secondly, once he finally succeeds at creating the monster he immediately works away, claiming that he was guarding his life which increases his selfishness. In reality, he is disgusted by the look of his creation so he abandons it going out of it all together in the world without any information and operates away to the next room. So not only is Victor selfish but he's shallow as well:

I observed the dull yellow eyeball of the creature wide open[h]is limbs were compared, and I had determined his features as beautiful. Beautiful! - Great God! His yellowish skin scarcely covered the world of muscles and arteries beneathI had proved helpful hard for almost two years, for the sole reason for infusing life into an inanimate bodybut now that I had completed the wonder of the desire vanished, and breathless horror and disgust packed my heart. Struggling to endure the facet of the being I needed created. "(Shelley 57).

Instead of recognizing that he achieved his goal of taking life to the inanimate body he operates way because of how hideous it is. As Hatch points out, even Walton is repulsed by the monster's appearance "Never did I behold a perspective so horrible as his face, of such loathsome, yet appalling hideousness. I shut my sight involuntarily" (Shelley 240). Fear and disgust are mixed in these reactions, but what is stressed is disgust. ( Hatch 35). Because the monster is so hideous Victor avoids any responsibility of nurturing or nurturing the (Hatch)monster like a father would need to, and he leaves his creation to fend for itself. He was so enthusiastic about creating life that he does not imagine what the final product can look like, he is blinded by his passion. Since the creature is reborn he is unable to look after himself much like a young child and Victor disowning him forces him to determine how to act by himself. As Lunsford highlights, "Upon discovering the trick to reanimating useless corpses, Victor endeavours to create a being like himself. ( Lunsford) Victor is also very rude to his monster after the creature kills a few of his relative that i feel he deserved. He encounters his creature and instantly threats him phoning him a "[d]evil" and "vile insect"(Shelley 99) that has to stay away or be trampled to dust. Instead of apologizing for abandoning the creature he threatens him creating more anger. The monster replies describing how he seems in a global that hates him: "All men hate the wretched; how, then, should i be hated, who am unpleasant beyond all living things! Yet you, my originator, detest and spurn me"(Shelley 99). A conversation which would create some sympathy makes Victor even angrier which shows how selfish he really is. All he wishes to do is wipe out the monster, forget he even is present, to rewrite his incorrect.

As Victor tries to erase his former he constantly withholds information or sits about his creation. This is shown in the film when he says Elizabeth he must go away again to please the monster so he'll leave Victor alone. Elizabeth objects wanting to marry Victor instantly in the film, whereas in the novel throughout the text he is constantly on the take Elizabeth for awarded. Victor postpones the night out of these "union" as he assumes she will comply. He uses Elizabeth whenever he feels like it wanting that she'll marry him when he profits to Geneva which is emphasized in the film. Elizabeth suggests that Victor has improved and wants to learn the trick he has been covering which gives her personality more depth in the film. In the novel she does not have a lot of a say for your choice must be approved by Victor's daddy who insists he bring Henry along. He sits to his dad requesting a trip to Great britain before he marries Elizabeth. "I portrayed a desire to visit Britain; but, concealing the true reasons of the question, I clothed my wants under a guise which fired up no suspicion" (Shelley 152) Victor lies and also omits information that could explain the occurrences which took because the monster was created. Withholding information occurs quite frequently especially related to his family member's deaths. When William is killed and he suspects the monster, he says nothing. Later when Justine is caught, he once again keeps calm about his creation. She is later found guilty and performed, he does nothing at all to stop the execution. Furthermore selfish then making an innocent female die for someone else's crime? In the film Victor will not speak up to save lots of the life span of Justine, the housekeeper, whereas in book he explains to his family that she actually is innocent but is too worried to announce it publicly assuming research would surface that she has been wrongfully accused. " My dear father, you are mistaken; Justine is innocentI possessed no dread, therefore, that any circumstantial research could be helped bring forwards strong enough to convict her. My story was not one to declare publicly; its incredible horror would be appeared after as madness" (Shelly 81). Victor first of all assumes that her name will be cleared, and he previously many chances to speak up to save the life of Justine by informing the truth about the monster he created, instead he wallows in guilt. Instead of saving the life of the housekeeper who was already through so much, he will keep his secret to keep up his good image. Not merely does Victor keep carefully the creature a key, but destroys the feminine companion he creates avoiding the monster from being happy like he is with Elizabeth. He destroys the monster because he realizes that creating another monster may lead to further problems, or pain to him. Later in the text, Victor commences to be less selfish as he accepts the revenge of the monster, alternatively than finding someone else at fault he accepts responsibility for what has took place.

Victor is very irresponsible which make it reasonable to label him as selfish in his motivations. To begin with, he uses the info he learns at the College or university of Ingolstadt to set-up the monster, a forbidden test in the film due to results which Victor does not consider. Even though he activities tragic situations he continues to pursue experiments and knowledge that have already been proven to be destructive. Aswell, when he succeeds at creating the monster he runs away abandoning his creation taking no responsibility for him in any way. Lunsford argues another important point:

[T]he novel reads as the storyline of a man who at every convert is given the possibility to put the lives of others before himself. Immediately after animating the monster, Victor becomes stressed by the physical repulsiveness of the life span he has created and flees from the very thing over which he has toiled for two years. This talks to Victor's unwillingness to cope with his creation as a living being. Perhaps if Victor acquired valued the life span he created-and helped the monster at this critical moment-he would have prevented most of the devastation that practices. But he fears what people will think of him for creating a monstrosity and abandons his creation at the moment it enters the world, thus preserving his reputation but placing his family vulnerable. (Lunsford)

As the monster begins to murder his family he carries on ignore the evil he is responsible for. After Victor destroys the monster's potential for delight, the creature threatens him vowing to be with him on his big day to seek his revenge. Despite the fact that he has been threatens and has learned the monster is capable of killing, Victor still runs off to marry Elizabeth which is also selfish of him to do. Another example is when Victor is dying, he feels he is never in charge of any blameless of any bad behavior on his part in creating the creature emphasizing how irresponsible he is throughout both book and film.

Lastly, following the monster threatens Victor he begins to be more concerned for his life now that he is aware of what his creation is capable of. He assumes that his creation will come after him in seeking his revenge. He narrates how he required precautions up against the monster:

[T]his nights is dreadful, very dreadful. I handed down the hour in this mind-set, when all of a sudden I mirrored how fearful the fight that i momentarily expected is always to my wife, and I earnestly entreated her to stop working, resolving not to become a member of her until I obtained some knowledge regarding the situation of my enemythe scream was repeated, and I rushed in to the room[s]he was there, lifeless and inanimate (Shelley 195)

Victor is merely concerned for his own life that he disregards the life of his recent partner, Elizabeth. He is surprised that the monster murders Elizabeth rather than him, even though that is precisely what Victor have as he damaged the feminine creation which was supposed to be the monster's spouse. Aswell, Victor continues to hide the creation from Elizabeth as he convinces her to visit bed to prevent her from learning about the monster he created, fearing that she will not love him as dearly. In contrast with the novel, the film emphasizes Victor Frankenstein's selfishness as he brings Elizabeth back again to life so that he can continue to be happy. as visitors we feel furious for making Elizabeth go through more than she deserves, showing that he will stop at nothing to achieve his goals no matter who it hurts.

Overall, due to Victor's selfishness we feel sorry for his creation. In both texts we see Victor Frankenstein as the monster not the creature.

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