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Student’s Name: Tutor’s Name:Course: Date: Quebecois Catholic Impact on Canadian Film The period between the 1960s and the 1980s proofs to be a turning point for cultural secularization in the Quebec. The Quebec society of the 1960s demonstrates variations from that of the 1980s. A similar trend happens to the church and its organization. The doctrine of the Quebec recorded massive development and ratification by the 1980s. Previously before making entry into the 1960s the church controlled virtually every sector of the society placing dominance in the education sector healthcare and social services of an organization primarily inhibited by French-speaking Quebec. Maurice Duplessis served as the premiere of the Quebec between 1944 and 1959. During his era the Catholic Church took dominance over social welfare actively campaigning for the expansion of the Catholic province and the church’s prosperity. By the end of his tenure a majority of over eighty-five McRoberts on the “new 20 middle class” explanation for the sources of the Quiet Revolution; Quebec: Social Change and Political Crisis (Toronto: McClelland and Stewart 1988 Third edition) pp. 147-69 Hamelin et Gagnon Histoire du catholicisme pp. 175-291; Nive Voisine 14 André Beaulieu et Jean Hamelin Histoire de l’Église catholique au Québec (1608-1970) Première annexe au rapport de la Commission d’étude sur les laïcs et l’Église (Montréal: Fides 1971) pp. 55-72. James Adams (February 1 2011). "Resident Evil: Afterlife is top-grossing Canadian flick". The Globe and Mail. Toronto. Retrieved August 19 2011 Kelly Brendan (4 June 2017). "Xavier Dolan's Juste la fin du monde dominates Gala Québec Cinéma". The Montreal Gazette. Retrieved 4 June 2017.Lussier Marc-André (4 June 2017). "Gala Québec Cinéma: remise en jeu". La Presse. Retrieved 4 June 2017. Vincent Harvey O.P. Pierre Saucier Hélène Pelletier-Baillargeon André 40 Charbonneau Louis Racine et Yves Gosselin “To be or not to be ” Maintenant no. 68-69 (août-septembre 1967): p. 236 [...]
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This assignment should approach Canadian cinema from the viewpoint of a critical analysis of one or more of the historical, political, cultural, conceptual and/or theoretical aspects of cinema as discussed in the course. The topic may be in any era (pre- or post-WW II). This will usually take the form of a compare-and-contrast, which will consider the similarities and differences between two or more aspects of the cinematic culture. Suggested topics might be a comparison between two or more historical developments, which might involve a discussion of the theoretical or cultural developments, political agendas, or technological developments. Please avoid biographical detail or plot synopses, referencing films or filmmakers by way of example or illustration of a point, concentrating instead on the historical, political, cultural, etc. circumstances surrounding your topic. Preferred Topic: How Quebecois film has improved since the Catholic church no longer holds power in French Canadian Cinema.
