Jean auguste and impressionism annotated bibliography

Document Type:Annotated Bibliography

Subject Area:Arts

Document 1

Hinojosa-Azaola, Andrea, and Jorge Alcocer-Varela. “Art and Rheumatology: The Artist and the Rheumatologist’s Perspective. ” Rheumatology, vol. 53, no. 10, 2014, pp. During the artistic groupings, institutional structures of art were developed. The article illustrates that the displayed paintings aroused curiosity due to the impression the photographs gave. The author notes that the impressionists attempted to develop a visual impression by undertaking their activities in the outdoors to monitor, capture, and exploit various characteristics of light. After that, a more extensive range of subjects was represented as the group adopted the use of impressionism in developing their art (Dempsey). For instance, the use of fragmentation and disintegration through the use of light by in one of his works illustrated in the article, the painting is described as pleasant with colorful presentations.

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At one point, the author highlights that the picture was taken during the impressionist movement where outdoor lighting was majorly experimented with (House). Also, the painting itself is used to describe the artist. The author takes us back to the 1860s where substitute outlets of art were swiftly evolving and emerging. The picture in its self is compared to genres such as Cleopatra and Caesar’s, which were said to conform to the community’s ethical and moral considerations. Correspondent, Lara Marlowe Paris. In addition to that, the author specifies that jean mainly painted in the outdoor and eventually developed films such as A Day in the Country, which were defined as impressionistic films that portrayed a new form of art through literary and artistic displays.

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