There is no progress whatever. Everything is just the same as it was thousands, and tens of thousands, of years ago. The outward form changes. The essence does not change.
The real writing of a piece comes only when you are performing it. It is why I like theatre. In film and TV, the image is locked forever, but in theatre, there is constant change; each performance is part of the writing process.
I think the written word is probably the best medium of communication because you have time to reflect, you have time to choose your words, to get your sentences exactly right. Whereas when you're being interviewed, say, you have to talk on the fly, you have to improvise, you can change sentences around, and they're not exactly right.
Some, I verily believe, delight to be slave-men; it is a joy to them, and they would not change their condition; not only miserable village wretches, but men in good position, well-to-do sycophants.
I didn't think that college math was for me. I didn't think I'd be able to hack it. And that perception of math not being for girls, not being for girls who see themselves as socially well adjusted has got to change.
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An Internet meme is a hijacking of the original idea. Instead of mutating by random change and spreading by a form of Darwinian selection, Internet memes are altered deliberately by human creativity. There is no attempt at accuracy of copying, as with genes - and as with memes in their original version.
Science fiction is any idea that occurs in the head and doesn't exist yet, but soon will, and will change everything for everybody, and nothing will ever be the same again. As soon as you have an idea that changes some small part of the world you are writing science fiction. It is always the art of the possible, never the impossible.
I can't help but believe that at some time in the not-too-distant future, there is going to be another movement to change these systemic conditions of poverty, injustice, and violence in people's lives. That is where we've got to go, and it is going to be a struggle.
The next five months are grim ones. I always feel sorry to have the summertime change, with the dark evenings closing in mid-afternoon, and will try to lay in some physical comforts these months - the best insurance against gloominess for me.
It's impossible, I think, however much I'd become disillusioned politically or evolve into a post-political person, I don't think I'd ever change my view that socialism is the best political moment humans have ever come up with.
Movies always are open to being remade because times change so much, and the tempo of movies changes. I think of it like a James Bond. They can have different actors play the same role... I've had people come up to me and say, 'We want to remake 'The Jerk' with so and so.' And I say, 'Fine.' It just doesn't bother me. It's an honor actually.
Becoming a vampire is forever. You don't get to change your mind about it later. For me, I think that's one of the big drawbacks with anything that's permanent. How do you know how you're going to feel in five years or 10 years? Even with a tattoo.
But I think talent as a writer is hard-wired in, it's all there, at least the basic elements of it. You can't change it any more than you can choose whether to be right handed or left handed.
We like to think about how smart we are. But I think talent as a writer is hard-wired in, it's all there, at least the basic elements of it. You can't change it any more than you can choose whether to be right handed or left handed.
I like it to be quiet, and it usually occurs in the morning. There are three or four places in my house where I can write and I like to keep moving around. The moment I find myself falling into a necessary routine, I change it. I'd rather not accumulate superstitions.
Is the modern social pattern of unending change and movement the cause of two modern diseases, insecurity and dissatisfaction? How lucky Thomas Hood was to be able to write, 'I remember, I remember the house where I was born.' I don't even know what mine looked like!
I believe that the purpose for which I and my fellow soldiers entered upon this war should have been so clearly stated as to have made it impossible to change them, and that, had this been done, the objects which actuated us would now be attainable by negotiation.
I respect the astute and rigorously unsentimental David Horowitz as one of America's most original and courageous political analysts. He has the true 1960s spirit - audacious and irreverent, yet passionately engaged and committed to social change.
I believe that history has shape, order, and meaning; that exceptional men, as much as economic forces, produce change; and that passe abstractions like beauty, nobility, and greatness have a shifting but continuing validity.
But that citizen's perception was also at one with the truth in recognizing that the very brutality of the means by which the IRA were pursuing change was destructive of the trust upon which new possibilities would have to be based.
The hardest part is not to repeat yourself. I don't really believe my core obsessions are going to change, but you need to look for ways to express them that are different. The main reason for doing that is not to bore yourself, and obviously, I don't want to bore readers.
Science fiction isn't just thinking about the world out there. It's also thinking about how that world might be - a particularly important exercise for those who are oppressed, because if they're going to change the world we live in, they - and all of us - have to be able to think about a world that works differently.
Even if every major government were to slap huge taxes on carbon fuels - which is not going to happen - it wouldn't do much to halt climate change any time soon. What it would do is cost us hundreds of billions - if not trillions - of dollars, because alternative energy technologies are not yet ready to take up the slack.
The saddest fact of climate change - and the chief reason we should be concerned about finding a proper response - is that the countries it will hit hardest are already among the poorest and most long-suffering.
If we invest in researching and developing energy technology, we'll do some real good in the long run, rather than just making ourselves feel good today. But climate change is not the only challenge of the 21st century, and for many other global problems we have low-cost, durable solutions.
The only thing that will really change global warming in the long run is if we radically increase the speed with which we get alternative technologies to deal with climate change.
I try to write very fast. I don't revise very much. I write the poem in one sitting. Just let it rip. It's usually over in twenty to forty minutes. I'll go back and tinker with a word or two, change a line for some metrical reason weeks later, but I try to get the whole thing just done.
After the success of 'August,' there were people saying I should change my life. And maybe I should have bought a yacht and traveled the world instead of returning to Steppenwolf to act in and write plays. But I'm from the Midwest, and that's what we do: We go back to work.
I was born left-handed, but I was made to use my other hand. When I was writing 'Famished Road,' which was very long, I got repetitive stress syndrome. My right wrist collapsed, so I started using my left hand. The prose I wrote with my left hand came out denser, so later on I had to change it.
I've never really worked out this thought, and I don't know if I'm really conscious of it, but I can see there's an attraction about writing about a period that's over and isn't going to change colour while you look at it.
Yes, with Le Mans, obviously, the approach needs to be different. You have a race only once a year, so in the whole focus, the whole energy, you know that you cannot change the world and have a race two weeks later.
I have to entertain, because if I don't entertain you, you're not going to continue reading. But if I'm not out to enlighten, or change your mind about something, or change your behavior, then I really don't want to take the journey.
Nothing is as real as a dream. The world can change around you, but your dream will not. Your life may change, but your dream doesn't have to. Responsibilities need not erase it. Duties need not obscure it.
Perhaps that is why the novel flourished in England. You had these communities that would stay put and people would see one another all the time and cause one another to change and have the opportunity to observe the changes over time.
All of my life had been spent in the shadow of apartheid. And when South Africa went through its extraordinary change in 1994, it was like having spent a lifetime in a boxing ring with an opponent and suddenly finding yourself in that boxing ring with nobody else and realising you've to take the gloves off and get out, and reinvent yourself.
It was difficult being a teacher and out of the closet in the '50s. By the time I retired, the English department was proud of having a gay poet of a certain minor fame. It was a very satisfactory change!
Women process stress differently. If we can change the workplace culture to make it more welcoming for women, we're also going to improve behavior, and we're going to improve outcomes.
Women need to lead the way to change our culture of burnout - both for their sake and also for the sake of successful men who desperately need a new model of success. And the still-very-macho world of STEM is a great place to start.
I think we are waiting for an e-book that even non-techies can be comfortable with. From my point of view, the biggest change is that I don't have to spend most of the day printing out and packaging a manuscript. I think I almost miss that.
I came to poetry through the urgent need to denounce injustice, exploitation, humiliation. I know that's not enough to change the world. But to remain silent would have been a kind of intolerable complicity.
I read and walked for miles at night along the beach, writing bad blank verse and searching endlessly for someone wonderful who would step out of the darkness and change my life. It never crossed my mind that that person could be me.
Beyond the borders of wealthy countries like the United States, in developing countries where most people in the world live, the impacts of climate change are much more deadly, from the growing desertification of Africa to the threats of rising sea levels and the submersion of small island nations.
When this boy was brought to Dr. Young, his name being William, the same as mine, my mother was ordered to change mine to something else. This, at the time, I thought to be one of the most cruel acts that could be committed upon my rights.
Very often, fanaticism begins at home. It begins inside the family. It begins with the urge to change our kin, to change our beloved ones for their own good because we think we know better than them what is good and what is bad for them, what is right and what is wrong in their thinking.
You have to get an individual who's willing to actually struggle with the system to change it. As long as you have people who - to make substantive changes, to make infrastructure changes.
Happy as we are, times may alter; we may be bitten with some impulse towards change, and many things may seem too wonderful for us to resist, too exciting not to catch at, if we do not know that they are but phases of what has been before and withal ruinous, deceitful, and sordid.
As a writer of fiction who deals with technology, I necessarily deal with the history of technology and the history of technologically induced social change. I roam up and down it in a kind of special way because I roam down it into history, which is invariably itself a speculative affair.
I can be almost terminally grief-stricken because things are so dire, but at the same time, there's a real lightheartedness about just the recoverability of life, of how things change, how they're not the same, ever again.
While working on my first five books, I kept wishing I was writing a novel. I thought until you wrote a novel, you weren't taken seriously as a writer. It used to trouble me a lot, but nothing troubles me now, and besides, there has been a change. I think short stories are taken more seriously now than they were.
There is certain relief in change, even though it be from bad to worse! As I have often found in traveling in a stagecoach, that it is often a comfort to shift one's position, and be bruised in a new place.
The way of the Creative works through change and transformation, so that each thing receives its true nature and destiny and comes into permanent accord with the Great Harmony: this is what furthers and what perseveres.
Constitutions should consist only of general provisions; the reason is that they must necessarily be permanent, and that they cannot calculate for the possible change of things.
The majority of people were always sitting in the stands. When I find people who are willing to go against the grain, who are willing to make tremendous sacrifices to change an unjust situation - that's what blows my mind out.
Changes in our aesthetic tastes have no value or meaning in and of themselves; what has value and meaning is the idea of change itself. Or, better stated: not change in and of itself, but change as an agent or inspiration of modern creations.
To my mind, it is the duty of the younger Negro artist, if he accepts any duties at all from outsiders, to change through the force of his art that old whispering 'I want to be white,' hidden in the aspirations of his people, to 'Why should I want to be white? I am a Negro - and beautiful!'
The laws of literary creation are unique; they don't change, and they are the same for everyone everywhere. I mean that you can tell a story that covers three hours of human life or three centuries - it comes to the same thing. Each writer who creates something authentic in a natural way instinctively also creates the technique that suits him.
Feminism is not dead, by no means. It has evolved. If you don't like the term, change it, for Goddess' sake. Call it Aphrodite, or Venus, or bimbo, or whatever you want; the name doesn't matter, as long as we understand what it is about, and we support it.
I am an American citizen and it is my home now. I like the U.S.A., which is not a place too many people have liked since Bush. The U.S. has a young population, and everything can change within a year.
Authors change publishers because it's like being married for a long time and suddenly you want to go out and have a wild affair! No, not seriously, sometimes the deal is more interesting with a new publisher, and other times they have more enthusiasm for your books.
It is change, continuing change, inevitable change, that is the dominant factor in society today. No sensible decision can be made any longer without taking into account not only the world as it is, but the world as it will be.
'Storm Warnings' is a poem about powerlessness - about a force so much greater than our human powers that while it can be measured and even predicted, it is beyond human control. All 'we' can do is create an interior space against the storm, an enclave of self-protection, though the winds of change till penetrate keyholes and 'unsealed apertures.'