I can't think of a single..
I can't think of a single one of my plays that does not represent a coincidence between an external and an internal event. Something outside of me, outside even my own life, something I read in a newspaper or witness on the street, something I see or hear, fascinates me. I see it for its dramatic potential.
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My life, in some ways, has been a half-measure. I didn't commit myself all the way to my marriage and family, because I would have given up more. And I didn't go all the way with just being completely selfish. I always wonder where my career would be if I was more selfish.
I did not have a happy family life a few years ago. I was divorced, and I was very alienated from my daughter, and I was out there cutting every ribbon and running around New York hosting events for different causes to supplant my loss because I didn't have a family to go home to. Now I don't want to be Mr. Show Business anymore.
I can't complain that I've had a public all through my writing life, but people don't quite know what I've written. People don't read you too closely. Perhaps, after I've died, they'll look at my stuff, and read it through, and find there's more in it. That may be wrong, but that's what I comfort myself with.
I know some people who live this much more insulated life in Los Angeles, where their feet never touch public ground. They walk out of their bathroom, their living room, they get into their garage, their car, and the next thing you know, they're at the valet parking of the restaurant or the store or the office. They're in a bubble the whole time.
There are some screw-ups headed your way. I wish I could tell you that there was a trick to avoiding the screw-ups... but they're coming for ya. It's a combination of life being unpredictable, and you being super dumb.
I've had a relatively charmed life. I loved to be out in the city. New York was my town. I've had people come up to me and say, 'You're a great New Yorker. You've given your time and money to so many New York charities. You're a great supporter of the arts. I like some of your movies - and some of your movies suck, actually.'
Working conditions for me have always been those of the monastic life: solitude and frugality. Except for frugality, they are contrary to my nature, so much so that work is a violence I do to myself.
Basically, at the very bottom of life, which seduces us all, there is only absurdity, and more absurdity. And maybe that's what gives us our joy for living, because the only thing that can defeat absurdity is lucidity.
I haven't changed, but public life has. It used to be you'd go into a restaurant, and the owner would say, 'Do you mind if I take a picture of you and put it on my wall?' Sweet and simple. Now, everyone has a camera in their pocket.
Civilization must be based on life. We should never forget that human life was created in and for millions of centuries, was nourished by primitive wildness. We cannot separate ourselves from this ancestral background.
How long can men thrive between walls of brick, walking on asphalt pavements, breathing the fumes of coal and oil, growing, working, dying, with hardly a thought of wind, and sky, and fields of grain, seeing only machine-made beauty, the mineral-like quality of life?