It is difficult to obtain the..
It is difficult to obtain the friendship of a cat. It is a philosophical animal... one that does not place its affections thoughtlessly.
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'Steve Jobs' is my seventh movie. I believe, if you added them up, I don't think there is more than a total of 10 minutes that takes place in a person's home. They're all in offices, courtrooms, laboratories, things like that.
A statesman who confines himself to popular legislation - or, for the matter of that, a playwright who confines himself to popular plays - is like a blind man's dog who goes wherever the blind man pulls him, on the ground that both of them want to go to the same place.
Paris enjoys a high reputation for the style of its public edifices, and, while there is a very great deal to condemn, compared with other capitals, I think it is entitled to a distinguished place in this particular.
I am an American citizen and it is my home now. I like the U.S.A., which is not a place too many people have liked since Bush. The U.S. has a young population, and everything can change within a year.
Men's memoirs are about answers; women's memoirs are about questions. Most male authors want to look good in their memoirs and have a place in posterity, while most women know that posterity is what happens when you no longer care. Women want to connect with others here and now; they couldn't care less about legacy!
If I manage to write something that I consider good and valuable in a particular place, that spot automatically has a special aura for me. In Albania, there are two cities where I have written the majority of my work: Gjirokaster, my home city, and Tirana.
The world starts to exist, for Americans, when we are in conflict with a place. And then all of a sudden, Afghanistan pops up on the TV screen and it becomes a place. And it exists for three weeks, and then it disappears into thin air.
I have always thought that the place where you sleep or the place you share with your partner should be separate from the place where you write. The domestic rituals and details somehow kill the imagination. They kill the demon in me.
On recovering my senses, I hastened to quit a place where I hoped there was nothing further to detain me. I first filled my pockets with gold, then fastened the strings of the purse round my neck, and concealed it in my bosom.
You could hear him, literally, half a mile away when he opened up. He was at his peak then. He was, naturally, dying to get out of the place he was in, and he recorded for us his appeal for pardon to the governor.
I know Juffure was a British trading post and my portrait of the village bears no resemblance to the way it was. But the portrait I gave was true of nearly all the other villages in Gambia. I, we, need a place called Eden. My people need Pilgrim's Rock.
Murder is unique in that it abolishes the party it injures, so that society has to take the place of the victim and on his behalf demand atonement or grant forgiveness; it is the one crime in which society has a direct interest.
I wrote my first play at the age of 10, 55 years ago, and I've always found it a fantastic relief to imagine I know what things would be like from the point of view of other individuals and to send out signals from where I actually am not. Playwrights never need to write from the place where they are.
In framing a government which is to be administered by men over men, the great difficulty lies in this: you must first enable the government to control the governed; and in the next place, oblige it to control itself.
There is certain relief in change, even though it be from bad to worse! As I have often found in traveling in a stagecoach, that it is often a comfort to shift one's position, and be bruised in a new place.
Spirit of place! It is for this we travel, to surprise its subtlety; and where it is a strong and dominant angel, that place, seen once, abides entire in the memory with all its own accidents, its habits, its breath, its name.
Some of the stories I admire seem to zero in on one particular time and place. There isn't a rule about this. But there's a tidy sense about many stories I read. In my own work, I tend to cover a lot of time and to jump back and forward in time, and sometimes the way I do this is not very straightforward.
In those early days, the important thing was the happy ending. I did not tolerate unhappy endings - for my heroines, anyway. And later on, I began to read things like 'Wuthering Heights,' and very, very unhappy endings would take place, so I changed my ideas completely and went in for the tragic, which I enjoyed.
One is lucky to be born in a place where no one is doing it, because then you can say, 'Well, obviously I can write better than everyone else in high school.' You have no idea of the competition.