We don't have to think up..
We don't have to think up a title till we get the doggone book written.
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My life, in some ways, has been a half-measure. I didn't commit myself all the way to my marriage and family, because I would have given up more. And I didn't go all the way with just being completely selfish. I always wonder where my career would be if I was more selfish.
I find television, and particularly live television, very romantic: the idea that there is this small group of people, way up high, in a skyscraper in the middle of Manhattan, beaming this signal out into the night.
Hollywood studios bury that stuff - actors who punch directors in the face and try to run producers over with cars - insanity, criminal behavior. But the studios are invested in that star, they can't have that person's name dirtied up.
Feeling I'd scarcely arrived at a style, I now find I'm near the end of it. I'm not quite sure what Late Style means except that it's some sort of licence, a permit for ageing practitioners to kick their heels up.
'Steve Jobs' is my seventh movie. I believe, if you added them up, I don't think there is more than a total of 10 minutes that takes place in a person's home. They're all in offices, courtrooms, laboratories, things like that.
When a movie is being rolled out, the studio publicists and all our individual publicists get together and come up with bullet points and talking points - 'Make sure you stay away from this,' and 'Don't say that quite that way, because that quote can be taken out of context,' and that kind of thing.
As a lifelong Democrat, I never thought I'd lead an effort to defend the symbol of the Republican Party. But when I saw the cruelty that Ringling inflicts on elephants every day across the country, I had to speak up.
I collect travel alarm clocks. I was in a flea market in France once, in 1994, and I opened up this beautiful Jaeger-LeCoultre folding eight-day winding clock folded into a beautiful case, and I went, 'Wow, man.' And I've been collecting travel alarm clocks since 1994.
I remember during my lifetime I would meet women, and it was almost like God would say to me, 'Now, this woman here is not the one you are going to end up with, but she is going to be a lot like this woman; look at this woman, study this woman.' And when my wife showed up, He was like, 'You recognize her now?'
I've had a relatively charmed life. I loved to be out in the city. New York was my town. I've had people come up to me and say, 'You're a great New Yorker. You've given your time and money to so many New York charities. You're a great supporter of the arts. I like some of your movies - and some of your movies suck, actually.'
But HBO is less interested in how many people are watching than in how much the people who are watching are liking the show. They didn't set up their business model to make writers happy. It's just a nice unintended consequence.
I always like to break out and address the audience. In 'The History Boys', for instance, without any ado, the boys will suddenly turn and talk to the audience and then go back into the action. I find it more adventurous doing it in prose than on the stage, but I like being able to make the reader suddenly sit up.
About forty miles away from Paris, I began to see the old trench flares they were sending up at Le Bourget. I knew then I had made it, and as I approached the field with all its lights, it was a simple matter to circle once and then pick a spot sufficiently far away from the crowd to land O.K.
We hunger to understand, so we invent myths about how we imagine the world is constructed - and they're, of course, based upon what we know, which is ourselves and other animals. So we make up stories about how the world was hatched from a cosmic egg or created after the mating of cosmic deities or by some fiat of a powerful being.
Modernity is the transitory, the fugitive, the contingent, which make up one half of art, the other being the eternal and the immutable. This transitory fugitive element, which is constantly changing, must not be despised or neglected.
We have also arranged things so that almost no one understands science and technology. This is a prescription for disaster. We might get away with it for a while, but sooner or later this combustible mixture of ignorance and power is going to blow up in our faces.