When it's three o'clock in New..
When it's three o'clock in New York, it's still 1938 in London.
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I did not have a happy family life a few years ago. I was divorced, and I was very alienated from my daughter, and I was out there cutting every ribbon and running around New York hosting events for different causes to supplant my loss because I didn't have a family to go home to. Now I don't want to be Mr. Show Business anymore.
Look at the shows that are really successful on Broadway. They're musicals. They're things that a woman will pick out the tickets for, or a man will buy the tickets with a woman in mind. It's a date. It's boyfriend-girlfriend, husband-wife. That's what the theater in New York has become.
I've had a relatively charmed life. I loved to be out in the city. New York was my town. I've had people come up to me and say, 'You're a great New Yorker. You've given your time and money to so many New York charities. You're a great supporter of the arts. I like some of your movies - and some of your movies suck, actually.'
Sometimes, particularly in summers in New York, I have tried to write in shorts or with no shirt on and found myself unable to do so, the reason being, I take it, that writing, even of the most impersonal sort, is for me a divestment, a striptease, even, so that if I start off undressed, I have nowhere to go.
I don't think acting is addictive. If I stopped acting tomorrow, I really wouldn't care. If you told me that I would have to sell real estate in New York City to look after my family, that would be fine with me.
I get the 'The New York Times' and 'Los Angeles Times' thrown at my door every morning. I'll read the front page of 'The New York Times,' then the op-eds, then scan the arts section and then the sports section. Then I do the same with the 'L.A. Times.'
The dangers of not thinking clearly are much greater now than ever before. It's not that there's something new in our way of thinking - it's that credulous and confused thinking can be much more lethal in ways it was never before.
Aviation constituted a new and possibly decisive element in preventing or fighting a war, and I was in a unique position to observe European aviation - especially in its military aspects.
I had four sandwiches when I left New York. I only ate one and a half during the whole trip and drank a little water. I don't suppose I had time to eat any more because, you know, it surprised me how short a distance it is to Europe.
For a writer, New York works well. Literary work is very elitist. I worked two hours a day, maximum, and the time after that was very agreeable. I walked a lot with pleasure. Those two hours augmented the day. I wrote more here than in Paris, an entire chapter of a new novel.
For many years I had heard about an underworld consisting of people who act out a vampire fantasy while I was living in New York. Fortunately for me there are also several books on the phenomena.
I think writers have to be proactive: they've got to use new technology and social media. Yes, it's hard to get noticed by traditional publishers, but there's a great deal of opportunity out there if you've got the right story.
Authors change publishers because it's like being married for a long time and suddenly you want to go out and have a wild affair! No, not seriously, sometimes the deal is more interesting with a new publisher, and other times they have more enthusiasm for your books.
In the books I have written, I have created in my mind a universe. My kids say I have a village in my head and I live in that village, and it's true. When I start writing a book, characters from previous books reappear. All my emotions, my mind, my heart, my dreams, everything becomes connected with a new book, and nothing else really matters.
Always expect the unexpected. Right around Thanksgiving, when the new Alex Cross will be out. It's called Four Blind Mice and it's a pretty amazing story about several murders inside the military.
I live in Harlem, New York City. I am unmarried. I like 'Tristan,' goat's milk, short novels, lyric poems, heat, simple folk, boats and bullfights; I dislike 'Aida,' parsnips, long novels, narrative poems, cold, pretentious folk, buses and bridges.