I always have one or two,..
I always have one or two, sometimes more, Navajo or other tribes' cultural elements in mind when I start a plot. In Thief of Time, I wanted to make readers aware of Navajo attitude toward the dead, respect for burial sites.
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The properties of people and the properties of character have almost nothing to do with each other. They really don't. I know it seems like they do because we look alike, but people don't speak in dialogue. Their lives don't unfold in a series of scenes that form a narrative arc.
I never thought of myself as a wealthy person. I've thought of myself as a person who has had a lot of luck. I don't have the same stress that other people have, but there are too many things I could have done differently if wealth was what I was after. If I was all about money, I would have lived in L.A.
I started out as an actor, where you seek to understand yourself using the words of great writers and collaborating with other creative people. Then I slid into show business, where you seek only an audience's approval whether you deserve it or not.
To cut short the question of the law of retaliation, we must note that even in its primitive form it can operate only between two individuals of whom one is absolutely innocent, and the other absolutely guilty. The victim, to be sure, is innocent. But can the society that is supposed to represent the victim lay claim to innocence?
There's three things: there's masculinity, there's intelligence, there's sensitivity. You've got to bring those three things to a leading man's role: masculinity, sensitivity, intelligence. In some people, there's a little too much in the mix of one or the other.
The professed function of the nuclear weapons on each side is to prevent the other side from using their nuclear weapons. If that's all it is, then we've gotta as: how many nuclear weapons do you need to do that?
We hunger to understand, so we invent myths about how we imagine the world is constructed - and they're, of course, based upon what we know, which is ourselves and other animals. So we make up stories about how the world was hatched from a cosmic egg or created after the mating of cosmic deities or by some fiat of a powerful being.
Modernity is the transitory, the fugitive, the contingent, which make up one half of art, the other being the eternal and the immutable. This transitory fugitive element, which is constantly changing, must not be despised or neglected.
He that gives good advice, builds with one hand; he that gives good counsel and example, builds with both; but he that gives good admonition and bad example, builds with one hand and pulls down with the other.
It is not necessary that you leave the house. Remain at your table and listen. Do not even listen, only wait. Do not even wait, be wholly still and alone. The world will present itself to you for its unmasking, it can do no other, in ecstasy it will writhe at your feet.