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Possession Narrative

Possession Narrative Format: 2 pages, double-spaced. Bibliographies and footnotes are not necessary. The Object: Ottaviano Jannella’s “Monumentino” (little monument or memorial), Art Gallery of Ontario, Collection of Kenneth Thomson http://boxwood.ago.ca/object/monumentino-sculpture-tools-and-eyeglasses-ottaviano-jannella-portrait-jannella Readings: • Anne Higonnet, “Afterword: in Provenance: An Alternate History of Art, ed. Gail Feigenbaum and Inge Riest. Los Angeles: Getty Research Institute, 2013, 195-209. [available on Quercus] • Evonne Levy, “Ottaviano Jannella: Micro-sculptor in the Age of the Microscope” Burlington Magazine (on Quercus), focusing on the provenance and alterations of the object (see information about provenance in the Appendix, p. 428 and comments on the history of the box’s assembly and movements throughout article). [available on BB] Read Anne Higgonet’s stimulating article on provenance taking up her suggestions on what we can get out of provenance to write your possession narrative of the Jannella “Monumentino” (or “workshop”). Then discover the object and its provenance. You can skim most of the Levy essay, picking up on the history of the composition of the object and its provenance (which is discussed throughout but is not the main point of the article). I have also made a pdf of the four letters of expertise that circulated with the object from various people, that circulated with the object. Your short essay will “explode” the provenance of an object into a mobility story, based in historical facts (what we know of the provenance) but by necessity partly speculative (about why it moved and why any given person acquired it). Consider Jannella’s box both (and together) as an object in motion and as a thing possessed at various points in time and in various places, private and public, personal and impersonal. Consider how the work was marked by mobility and transfer of ownership, by gaps or continuity in the provenance story, value that was attributed to the object by virtue of its provenance, and the role the market played in the creation (and maintenance) of the provenance of this object. Be sure to include: the possession of the object by family, contact with the very famous sculptors Thorvaldsen and Canova, the moves to NY and Canada, and the ownership of Kenneth Thomson (about whose collecting interests there is lots of information online). You do not have to describe the object at any length or provide a summary of my interpretation of its significance (and Jannella’s biography). Rather, your essay is about its provenance and any description of it should pertain to that story.
Possession Narrative Format: 2 pages, double-spaced. Bibliographies and footnotes are not necessary. The Object: Ottaviano Jannella’s “Monumentino” (little monument or memorial), Art Gallery of Ontario, Collection of Kenneth Thomson http://boxwood.ago.
Assignment ID
814536
Discipline
Type
CREATED ON
12 January 2019
COMPLETED ON
13 January 2019
Price
$30
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12 January 2019
User posted an order for Arts
12 January 2019
18 writers responded and offered to do the job for a price between $65 and $235
12 January 2019
User contacted writer HaroldCH
12 January 2019
User hired writer HaroldCH
13 January 2019
Writer completed order Possession Narrative for 1 day, meeting the deadline
13 January 2019
User accepted the job right away and completed the payment
13 January 2019
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