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A Touch of Sin: Four Tales from China

Some comparisons to consider: Whereas The World is allegorical and ironic, Touch of Sin is quite direct in its presentation of violent events. Compare the strategies used in these two films, both of them political commentaries. How are the films like and unlike documentary? Released in 2013, A Touch of Sin is also about trade liberalization and openness to capitalist influences in China. Compare the roles of the two protagonists, Tao (in The World) and Dahai or Zhou San (in Touch of Sin, parts 1 and 2) in terms of their identities as village workers who return home, and who do and do not remain tied to moral frameworks of the community, before and in the present time of the films. Whereas in The World many of the characters are young and have hope for economic betterment, in A Touch of Sin, only a few have achieved that success – and they are celebrated by the workers. Dahai and Zhou San (whose story continues in the second part of the film) buck the trend. Interpret their identities as Chinese workers who do not fit the community’s expectations. Compare Xiao Xu (Part 3) to Tao in The World.
Some comparisons to consider: Whereas The World is allegorical and ironic, Touch of Sin is quite direct in its presentation of violent events. Compare the strategies used in these two films, both of them political commentaries. How are the films like and unlike documentary? Released in 2013, A Touch of Sin is also about trade liberalization and openness to capitalist influences in China.
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Assignment ID
456563
Discipline
Type
CREATED ON
3 April 2018
COMPLETED ON
4 April 2018
Price
$30
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