In his play, Shakespeare's main protagonist is a dark-colored man - Othello, is a noble man just to suit the convention that considered people of noble blood the only real proper heroes for the stage or even to eliminate disparity of rank as a contributing element in the tragedy. The play shows how dark-colored people are marginalized, racism at its maximum, discriminated. When reading the play, we note that racism is obvious and ever present among those character types. In this way, we'd say that Othello's identification is designed by the gaze of the white personal alternatively than by the queer zoom lens. Though the idea of queer theory is present in the play, yet it is minimal as the issues of racism, prejudice all together overcome the concept of queer theory.
Since its inception in the first century, Christianity has been growing as a communal institution, changing its organizational shape, redefining its quest, and creating new expressions of worship. Since then there has been a vast change in denominations, where some drop and revival has been witnessed through the years.
The yr 1906 helped bring new recoveries into a different kind of worship in United States of America (USA). In USA, Los Angeles magazines reported as gathering of individuals of different races and civilizations describing these to involve the poor and abundant, blacks and whites, men and women, young and old in a temple in Azusa Street displaying a fresh form of worship, praying, singing in unknown languages, dance and clapping. Audiences gathered to witness what was going on. This was the biggest revival of that time period in USA.