Burning barns essay
Both assume the same characters and the flow of the story. For instance, the man telling the story, their shared girlfriend, and the man who burns the barns (Shu, C. H. E. N, pp 132-149). Sachs also observes that Trans Anh Hung’s film of “Norwegian Wood (2010),” and which tried to the adaptation of Murakami’s work before Lee Chang-dong’s “Burning” could not directly get into the protagonist’s head. The protagonist’s feeling of confusion and horrified fascination that is contained in Haruki’s narrative did not come through in the film. The movie reviewer (Sachs, Ben, np) concludes that, in the end, the film set the mood without accomplishing much. Sachs thinks that Lee endeavored to explain things that the author Haruki Murakami preferred keeping ambiguous, in a sense, Changdong wants to get deeper into the protagonist’s heads than Haruki did.
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