-SOUND- 1. Songs and dances shows and recordings and rhythms and harmonies are performances that invaluable in expression of pleasure and also serve the function of shaping individual and communal identities. These performances register both delight and trauma in traditional encounters hence they are found useful in the study of post colonialism. In the measurement of cultural value experiences in diaspora and hybrid identity they are tools to be paid attention to. (Featherstone 2005: 33). 2. Music is a special traditional practice within cultures. It encompasses a language in a certain location within its dances records and its actual performance to suit and apply itself to favor a particular historic and social situation. During performance music combines the body sound and voice aspects to meander in various locations persons and histories (Featherstone 2005: 35). 3. According to Edward Said in Orientalism the location of the empire has to be terms veritable plots and spatial practices. In this situations the dynamics of space the narrative and its actual movement relate to the effect of the cinema and the circumstances involved (Bruno 2012: 57). 33. In 1925 Robert Mallet Stevens assumed in a statement similar to that of Eisenstein’s that a film marks influence on the modern architecture whereas the modern architectures plays a big role in supporting the artistic share of the film. In essence modernity in architecture offers open shots and imagery that are in motion. (Bruno 2012: 67). 34. The realm of motion within a film is never too distinct from the range of emotion hence the practice of montagist that links the architectural enterprise with the film. It is similar for the two practices to share the same emotional fabrication and also the same texture. Therefore the modes of manufacture/ production are made. (Bruno 2012: 69). [...]
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