Document Preview:
When I first looked up William Eggleston the first photograph that caught my attention was theHYPERLINK "www.metmuseum.org \h Untitled (Greenwood Mississippi) 1980 Red Ceiling Room. I love this photograph because it is powerful and gives off a sense of mystery and wonderment. William is a photographer that creates emotions with his choice of color and angle. The color red is known as a color that represents passion and blood it is the color of energy. The lower center of this photograph shows an intersection of two painted red walls. William cropped the room and took the picture from a ‘fly’s eye view’ (artblart) to create dimensions of height depth and width. William worked with his angle to create a small looking room. Eggleston remembers “shooting the image while lying in bed with friends talking—that they also had been doing other things is implied and the kama sutra in the instance in this case the girl cry and consolation triggers the readers to think what these two girls could be saying? Therefore the photograph is a clear representation of the themes and other photographs by Eggleston. Therefore it is undoubtedly that William Eggleston is one of the best photographers owing to his lover for color and making everything in their realities. Work Cited Borrough Augusten. William Eggleston the Pioneer of Color Photography. 2016. New York Times Oct 17. Retrieved from: www.nytimes.com Accessed on July 31 2017. Dickson Andrew. Made in Memphis: William Eggleston's surreal visions of the American south. 2016. The Guardian. Retrieved from: www.theguardian.com Accessed on July 31 2016. Cumming Laura. William Eggleston Portraits review – up close and quite personal. 2016. The Guardian. Retrieved from: www.theguardian.com Accessed on July 31 2017. Hale Grace. Eggleston's South: "Always in Color." 2013. Retrieved from: southernspaces.org Accessed on July 31 2017. [...]
Order Description:
are you interested in this paper: • Assess the photographer's relevance and contribution to the medium. Use scholarly sources to validate your conclusions. • Clarify the reasons of your choice how/why the photographer's work strikes you and how it inspires your own. • Highlight biographical information only when it helps understand/clarify his/her creative choices, purpose, direction, mission, etc. otherwise don't spend much time on it. • Analyze 4 pix selected from the photographer's body of work and give reasons for your choice. Let me reiterate that your paper should be 6 pages (as per syllabus), one or so of which may include the pictures you are covering. Double spaced OK. If needed, you may write up to but no more than 8 pages. It is as important to stress composition and balance of form and content in the pictures you analyze as it is in your own photographic work. BIBLIOGRAPHY: Use at least four sources. Always go back to scholarly work to support your own conclusions but avoid lengthy quotes. Paraphrase when you can. Include sources in your footnotes along with possible references to other publications worth consulting. Avoid extensive use of explanatory or digressive notes. Use the MLA format
Subject Area: Arts
Document Type: Research Paper
