CREATED ON 27th April 2017
COMPLETED ON 5th May 2017
Expert hired: WriterT

Music History- Baroque Era first and second practice

Why is Palestrina’s music representative of the first practice, and most of Monteverdi’s music representative of the second practice? Things to cover: Describe Palestrina’s style using the motet “Dum complerentur.” Discuss the debate between Artusi (works for the church) over the madrigal, "Cruda Amarilli” by Monteverdi. Consider Artusi’s background; why is he missing the point? Why does Gesualdo’s madrigal “Beltà, poi che t’assenti” fall between the two practices? Why does Lassus’ motet “Timor et tremor” fall between the two practices? How did later composers like Gabrieli and Schutz combine the two practices in their sacred music, and why? N.B. Make sure that you address the issue of sacred vs. secular music. Use 7 to 8 sources
This project has already been completed on Studybay
On Studybay you can order your academic assignment from one of our 45000 project experts. Hire your expert directly, without overpaying for agencies and affiliates!
Check the price for your project

See other similar orders

Studybay assignment progress timeline

Studybay is a freelance platform where you can order a Music History- Baroque Era first and second practice paper, written from scratch by professors and tutors.
27 April 2017
User created a project for Music
27 April 2017
18 experts responded
27 April 2017
User contacted expert WriterT
27 April 2017
User hired expert WriterT who offered a price of $30 for the project and has experience doing similar projects
05 May 2017
The expert completed the project Music History- Baroque Era first and second practice for 8 days, meeting the deadline
05 May 2017
User accepted the project right away and completed the payment
05 May 2017
User left a positive review

Other projects in this subject area

Random blog posts