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A Feminist Reading of Buffy the Vampire Slayer

In this particular essay, it’s crucial not to simply discuss whether or not the representations are realistic enough, but to examine how they operate as signs within a certain system of signs. The major purpose of this essay is to develop a worthy argument about the program, not merely to depict it.

Any generation boasts its own Chosen One. Absolutely on her own, she’s going to withstand the vampires, demons as well as other forces of darkness. We’re talking about the Slayer. In this analysis, I will try to examine the ways in which femininity as well as sexual orientation is constructed in the television show Buffy the Vampire Slayer, while ignoring the popular argument that Buffy herself appears to be a feminist idol.

Buffy the Vampire Slayer directed by Joss Whedon, is a popular television series aired during the period 1997-2003. The plot is built around Buffy Summers as well as her group of friends. They try to protect the Hellmouth in Sunnydale, California from various demons and vampires. Since its inception, Buffy has turned a cult figure of media as well as popular culture, with a decent large Internet presence of academics and also scholars dissecting the various themes as well as moral issues presented by the series. A fandom of millions keeps devouring reruns as well as DVDs of the 144 episode series, writing fan fiction. Additionally, Buffy the Vampire Slayer managed to popularised such terms as the Buffyverse, Buffyspeak, to provide viewers with some form of moral message at the conclusion of every episode.

From Episode One, Buffy has spurred passionate debates among the public, academic audiences, to say nothing of critics alike as to the feminist political potential of the show. Buffy defintiey illustrates the way in which gender’s nothing more than a pure social construct. As for the Buffyverse. That’s a world where gender stereotypes exist.

That’s quite a normal thing to consider Joss Whedon's vision of the character as well as the series. By the way, during various interviews, he often disclosed his desire to make an alternative ending for the typical horror film, from the outset, Whedon trying to challenge the conventions of the horror genre. Well, from his point of view, the blond girl in the alley turns to be far more interesting than other females. She was vivacious, fun, she had sex, but she would punished for this. Joss Whedon simply had that scene, that image in his mind, just like the trailer for a promising film.

In this particular essay, it’s crucial not to simply discuss whether or not the representations are realistic enough, but to examine how they operate as signs within a certain system of signs. The major purpose of this essay is to develop a worthy argument about the program, not merely to depict it.

Any generation boasts its own Chosen One.

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100001179
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CREATED ON
August 26, 2016
COMPLETED ON
August 27, 2016
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$7
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