Perhaps, the first real casualty of state of war is honor, at least, it’s stated in Platoon 1986. Though this whitethorn seems to be the most imperative casualty, there are far worse fatalities in battle. However, with suffering there arose a positive outcome, which can buoy a person’s mind and soul. In viewing these cardinal war movies, Platoon (1986) as well as The littoral of Iwo Jima (1949), I discovered obvious differences, similarities, not to mention the types of images these movies have brought to the screen. One of such analogies surrounded by Platoon and also The sands of Iwo Jima appears to be the harsh realization of unmatchable innocence. These warriors had to fall screwing their innocence in order to drive the chaotic world of battle. For instance, a quote from Sergeant M. Stryker, educating his new recruits by simply telling “Before I’m through with you, you’re going to move like one man and think like one man, and if you don’t you’ll be killed.” In spite of the fact, Stryker isn’t liked by his men for his brutal training methods, his soundness is manifested via his police team when fighting on the island of Iwo Jima. However, in Platoon the troops overlooked their innocence, but at a greater cost.
Another persuasive comparison amidst these two movies is the respect and also the lack of admiration between adjuration troops as well as higher ranked officers. In the very beginning of The Sands of Iwo Jima there was tiny admiration for the relentlessly lump Marine Sergeant Stryker. The rebellious warriors learnt to respect Sgt. Stry ker as a brave and heroic man. However, in Platoon the feud between good and evil intensifies as the troops lose reality.
As for the first real casualty of war, that’s innocence, of course, (Platoon 1986). Though this might seem to be the most significant casualty, there’re far worse fatalities. However, in battle suffering might bring rather a positive outcome, which can drastically improve the person's soul and mind.
Stone's Vietnam experiences appeared to be the most considerable of his life, and the powerful impact of Vietnam can be traced in virtually all of his movies. The young fellow who grew up watching John Wayne win World War II found himself totally disillusioned by his time in Vietnam. His major personages are often idealistic but greatly disillusioned by a reality, which doesn’t live up to their hopes. The given idea is clearly reflected in Platoon's Chris Taylor. He’s pure Stone's alter ego in the movie.Some critics are assured that the so-called lost innocence motif is absolutely flawed because America has never been innocent. On the contrary, Stone tries to persuade us that initially those soldiers were innocent, but their innocence was destroyed by Vietnam.
Perhaps, the first real casualty of state of war is honor, at least, it’s stated in Platoon 1986. Though this whitethorn seems to be the most imperative casualty, there are far worse fatalities in battle. However, with suffering there arose a positive outcome, which can buoy a person’s mind and soul.