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Historically, the era has come to symbolise an era of change and need in the political and social awareness. In a period of revolution overseas and domestic reform, an individual can see the importance of desire for a vehicle for change. By examining Byron, Austen and Edgeworth in a new historicist style, one is introduced with differing perspectives on desire, its influence on the narrative and its inferred remarks on society. In Byron's 'Manfred', the theme of want primarily concerns knowledge and in the latter actions, a need for forgiveness. From the initial scene, Manfred is exposed as a Freudian personality who seeks knowledge from supernatural forces. From that first scene, an individual could 'accuse Byron of writing Manfred with Faust open '. However, Manfred's pursuit for Faustian knowledge becomes subverted to a desire to overlook, which is ultimately fulfilled in Manfred's passing. MANFRED. The spirits I have raised abandon me, The charms which I've studied baffle me, The remedy I recked of tortured me; I lean no more on supernatural aid, It hath no power on the past, and for The future, until the last be gulfed in darkness, ''] If it be life to put on within myself This barrenness of spirit and also to be My own sepulchre, for I've ceased To justify my deeds . This exemplifies Manfred's turn from a Faustian character into the Byronic hero. By sacrificing his desire for knowledge, Manfred questions himself leading in his personality becoming isolated from nature and desiring death. If a person applies Byron's own life to this analysis we find parallels between Byron and his protagonist. In the context of exile and guessed incest, one could indicate that Manfred's desire to be forgiv...