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Evolution in George Bernard Shaw's Pygmalion In the play, Pygmalion, by George Bernard Shaw, Professor Higgins, an expert in the innovative art of speech, wagers Colonel Pickering, another expert of phonetics, that he may take a common flower young lady, Eliza Doolittle, and move her off as a duchess at an ambassador's Garden Party. During this whole story, Shaw uses the character types to demonstrate the need of human development. As Eliza's verbal capability increases, therefore does her self-esteem and character; and Higgins's failure to identify her changes leads to a serious strain on the relationship. Eliza starts the story as an unstable, insecure personality who acknowledges her membership in the much less privileged class but nonetheless tries desperately to avoid those above her from considering badly of her. She seems she must emphasize the actual fact that she's "a good girl,"1 despite the fact that she is relatively timid. When Higgins sometimes appears acquiring down notes of her speech, and is definitely suspected to be a policeman, she turns into defensive and is ready to "take [a] bible oath [she] hardly ever said a word"(5) to Colonel Pickering which may be criminal. These exact things demonstrate Eliza's very own self-pity and her insufficient confidence in virtually any of her activities. Louis Crompton, an writer of many essays on Shaw's functions, agrees that "seeing that she belongs to a course that may not afford attorneys, she had most effective be noisy in her protestations of virtue."2 She actually is ashamed about the indegent area from where she's come, which Higgins determined from her accent as Lisson Grove. She actually is frequently seen as somewhat weeping or downright crying in the initial and second acts, showing the emotion that's developed which she finds challenging to regulate when her spirit is definitely wounded. She identifies herself as "an unhealthy gir...