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Aestheticism in the Writing of Oscar Wilde Essay

Project id 1016198
Subject area Writing
Document type Essay
Words 2699
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First published as pop-culture in Lippincott's Magazine, Oscar Wilde's The Picture of Dorian Gray sparked immediate controversy with its Victorian critics (Opening xvi-xviii). The Victorian Era, named so for its reign of British Queen Victoria, was tantamount to exacting moral principles -- media, households and government had been consumed by pious platitudes. In this time period, anything suggestive of sex literal or allegorical -- was stringently suppressed; women were to be covered up to the chin, out to the palms, and down to the ankles, likewise, piano and table legs were covered into the ground. Victorian literature possessed an ability to inculcate a sense of religious and social responsibility in its reader; the conventional Victorian novel most commonly embodied a "social reality" ("The Victorian Age") -- approved social tenets of a community -- along with the manner of search and discovery the characters use to find and establish their areas inside the group "reality" ("The Victorian Age"). Wilde, along with his aesthete contemporaries, challenged the mainstream didactic literature of the time using a, as Walter Pater place it, "art for [art's] sake" (276) attitude. Oscar Wilde's The Picture of Dorian Gray is a whelming campaign against the Victorian tenor; through vivid scenery and cunning language, Wilde argues not only the capacity of art to consist of purely aesthetic qualities but also the inability to get art to include anything aside from attractiveness. First published in reaction to this adverse criticism surrounding the Lippincott's Magazine 1890 book of The Picture of Dorian Gray, Wilde established a sequence of epigrams demonstrating his manifest aestheticism (in footnotes 3). Later used as the Preface of the 1891 publication,.

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