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"A White Heron," a brief story by Sarah Orne Jewett depicts and permits the reader to learn more about the loss of innocence individual's undergo both spiritually and physically. Jewett fills the story with symbolism that catches Sylvia's lapsarian autumn and her own private discoveries in life, humanity, and goodness. This isn't to be confused for just a narrative of a girl entering into sexual awareness; it's also about the defilement of nature by man as represented by the ornithologist and Sylvia, and the moral struggles with the coming of age of a young girl. The story follows Sylvia's journey into experience--a symbolic movement in adulthood, where it's presumed Sylvia would eventually lose her insatiable desire to hide in nature, but Sylvia is also emblematic of nature itself. The name Sylvia comes from the Latin silva significance "timber or woods"1. Thus, she is not only comfortable within nature, but also emblematic of character itself. This is revealed within the text when she is referred to as a "small woods-girl" along with her grandma tells the ornithologist that nobody knows the forests as well as Sylvia: "there ai not a foot o' ground she don't know her way over, and also the wild creaturs count her you o' themselves" (Jewett 2-3). The travel is not Sylvia's but Nature's, and the two will lose their innocence because of the look of the ornithologist, a man who symbolizes humanity and society. Sylvia begins her trip in a manufacturing town but fails to "grow" until she moves to her grandmother's farm (Jewett 1). Jewett compares her directly to nature, showing her as a "unhappy geranium" that has been kept by means of a neighbor in town (Jewett 1). After away from the stresses of society, she becomes more alive, and her grandmother regards the c.. .