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Power of in Spring and Holy Sonnet 10 "Spring", written by Gerard Manley-Hopkins, uses the ideas of the beauty of the year. Manley-Hopkins presents references to his faith, portraying a spiritual approach. The feelings experienced within the sonnet are extremely extreme, and the reader gets progressively more engrossed towards the traces of the sonnet, since the poet sneaked to the peril that spring may be spoiled, and the innocence of childhood may be lost. Manley-Hopkins addresses the Lord, in the expectation that sinning might cease forever, and hence the beauty of the season of spring may be maintained eternally. "Holy Sonnet 10", composed by John Donne, likewise indicates the poet's religion. The strength of this atmosphere displayed here is colossal, as Donne struggles to deal with Death for a coward. The sonnet is powerful, as Donne wants to think Passing to become weak and feeble. The poet is so convinced within his religion of God, and his apparent belief in the afterlife, that he's self assured that no harm will come to him from this one vain beast. Death will gradually be overcome; it's nothing to fear. The poet's feelings are vivid, and harmful, and the reader is thrown into a reverie of shadows as such immoral ideas are accepted in. "Spring", a Petrarchan sonnet, comprises an octave, which places the scene of their best elegance of spring, followed by a concluding sestet, revealing its actual imperfections. As Adam and Eve committed original sin, resulting in the Garden of Eden being ruined, Manley-Hopkins declares that spring itself will, in time, be ruined if we continue to sin. With great feeling, the poet begs God to.