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The Women in Black The play is a narrative of a man's life. This guy is Arthur Kipps; he hires an actor to portray the story he has to tell. The story seems to be a dreadful and frightening story. The actor then starts to tell the old guy's narrative. This sort of story telling is called a "play within a play" The story within the play is about an older home who is recently dis0owned by a women who just died, as is the way I these conditions, a attorney is sent up to the old house to tie up any lose ends and type out the legal stuff involved in this circumstance. It soon arises that all isn't as it sounds in the house; in fact the house seems to be haunted by a women who's dressed in black and has a drawn, ill appearing face. It becomes clear that the women is lingering on at this house because her son was taken away by her sister, along with the women then witnesses a horrific accident where her son as well as the grandma both die in a horrific hors and snare accident. Ever since then the "women in black" has haunted the mansion. And so with the coming of Mr Kipps into the old house, the spectacle is set to offer a thrilling wee moments of edge of your seat entertainment. So how can the director and actors create such a tense and thrilling setting? The techniques are in some ways very complicated, but on the most part, were very straightforward. The most predominant technique was in the usage of sound. And in some cases the lack of it. For the very first, probably, three moments of this play, nothing is said, no audio whatsoever is produced from the stage. This is a very effective manipulative technique because it utilises the standing of the play as a very frightening play, making the audience immediately on.