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The English Passionate period (1785-1832) was a complex motion that expressed dissatisfaction with the existing society, explored the human being condition, celebrated nature, and encouraged experimentation and creativeness in the arts greatly. This period emphasized feelings over thoughts and reason and highly valued individualism. Romantic writers of this were “alert to a pervasive intellectual and imaginative climate, which some called ‘the spirit of this.’ This spirit was associated with both politics of the French Revolution and spiritual apocalypticism” (“The Intimate Period”). Because the period before Romanticism weakened the spiritual stronghold on culture, Romantics weren't very worried about piety, but were thinking about experimentation with religion in an esthetical manner rather. Many artists, writers and visual artists alike, used religious themes and imagery within their works, but didn't necessarily consider their works to have Christian or religious connotations. Much like the era before it, folks of the Romantic period expressed doubt in an increased deity. They questioned the Church’s teachings and sought even more scientific answers to the workings of the globe (Brians). The Romantics “traversed the dark part of existence. These were intrigued with the grotesque, the malignant, the horrific, and the fearful” of both character and the human brain. They believed life cannot be beautiful without loss of life because “all beauty is usually fleeting and finally withers away” (“Romanticism: Imagining Freedom”). It really is from this approach that most English Intimate poet William Blake’s artwork stem. “The Tyger,” among Blake’s most famous & most debated poems, could be interpreted in a variety of ways, but pertains to this doubt in significantly.