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Black vs. Light and New vs. Aged in DECREASE, Moses In the novel DECREASE, Moses, William Faulkner examines the partnership between blacks and whites in the South. His try to trace the evolution of the roles and mentalities of whites and blacks from the emancipation to the 1940s targets several key transitional figures. In "The Fire and the Hearth," Lucas Beauchamp particularly signifies two extremes of satisfaction: in the older people, who were pleased with their property and their traditions; and in the brand new generation, whose pride pressured them to break from the traditions of the South. Lucas' history uniquely shapes him because of this role. He represents the general sentiments of both whites and blacks due to his mixed heritage, and he symbolizes the old and the brand new through his simultaneous satisfaction in and rebellion against his bloodstream regards to Lucius Quintus Carothers McCaslin. The brand new generation, both blacks and whites, rebelled against the respect older Southerners kept for the land and custom, although each rebelled for different factors. As a sharecropper on Zack Edmonds' farm, Lucas displays his satisfaction in his link with Carothers McCaslin in a delicate, unspoken manner often. Yet this pride always exists parallel to his defensive pride in the black blood blended with that white blood. Lucas credits the bloodstream of Carothers in him as the foundation of the courage he had a need to confront, and try to shoot, Zack Edmonds. But simultaneously, the actions that that courage initiated was an work of rebellion against what Lucas regarded as white oppression of his privileges: Then, not rising however, he got the cartridge from his pocket and looked once again at it, musing - the live cartridge, not stained even, not corroded, the...