Get help with any kind of assignment - from a high school essay to a PhD dissertation
William Faulkner's As I Lay Dying and in Virginia Woolf's A Mark on the Wall - Subjective Narratives at Modernist Texts Like many other texts that are monolithic, William Faulkner's As I Lay Dying applies many unreliable narrators to show the development of the publication. Among the most fascinating of these narrators is the youngest Bundren child, Vardaman. Much like the rest of his loved ones, Vardaman is mentally unstable, however, his condition is magnified due to this lack of understanding of life and death. Because he does not grasp this basic idea, Vardaman's attempts to know his mom's death are some of the most compelling part of the publication. Over the span of the book, Vardaman tries to reevaluate his mother's passing through creatures, especially a bass. Through those rationalizations, Vardaman comes into some seemingly logical decision about the essence of death and life. While these conclusions seem perfectly logical to Vardaman, they're nonsensical into the reader. This concept helps exemplify the usage of subjective narrators as I Lay Dying, and defines it as a Modernist textmessage. Vardaman's first storyline comes right after his mum Addie's departure. Frightened, he runs out of the house and attempts to rationalize what has just occurred. He clarifies his sooner chore of gutting and chopping up a fish at the lawn and then directly relates the expertise to Addie: "When I leap off the porch I'm where the fish was, and it all cut up into not-fish now. I am able to hear the mattress and her face along with them and I will feel the ground shake once he walks on it that came and did it" (53-54). Here, Vardaman is perplexed as to what precisely happened in Addie's bedroom. He portrays the before and after of the fish, becoming " fish"...