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Classical and Post-Classical Hollywood Cinema Essay

Assignment id 1015035
Discipline Writing
Assignment type Essay
Words 1032
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Classical and Post-Classical Hollywood Cinema INTRODUCTION During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Even though these terms refer to theoretical movements of which they are not definitive it is my goal to demonstrate that they're applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which additionally pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about after this period of time (Post-Classical or New Hollywood). I intend to do this by analysing and defining aspects of Classical Hollywood and having done that, analyzing post classical where time the association between them will become evident. It's my intention to reference films from both moves and also published texts relative to this topic matter. In order to illustrate the constructions involved I will be writing about the subjects of genre and genre modification, the representation of gender, postmodernism and the relationship between design, form and content. Classical Hollywood Classical Hollywood is a convention of methods and structures which were prominent American cinema between 1916 and 1960. Its legacy stems from before American cinema Melodrama and also to theatrical melodrama prior to that. Its heritage lives on in mainstream Hollywood for this day. But what is it? Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, predicts “an too obvious cinema”1 where cinematic style serves to describe and not to obscure the story. In this manner it is made up of motivated events that lead the spectator to its inevitable conclusion. It results in the spectator to have an emotional investment in this decision coming to maneuver that subsequently makes the foreseeable the most desired outcome. The films are structured to create an atmosphere of verisimilitude, and that's to give a perception of reality. On closer inspection it they are often far from sensible in a societal sense but maybe portray a desire desired by the patriarchal and household value orientated society of this moment. I feel that it is often the black and white representation of good and bad that produces this air of predic...

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