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The Fantastical Components of Leroux's The Phantom of the Opera In Gaston Leroux's The Phantom of the Opera superb literature is shown at its best. Published in 1911 originally, this French article writer produced probably the most well-known novels in French background. Created right into a play and a musical made by Andrew Lloyd Webber, this story has touched thousands. However, this transition from a novel to a theatrical performance has caused a lot of the story to be overlooked of the production. When seen in its entirety, the novel exhibits many fantastical components. Leroux's The Phantom of the Opera meets all the requirements of superb literature. These characteristics usually do not resemble those of Magical Realism extensively. The novel offers many realistic characteristics that may mask the great elements. The environment and history are recognizable as a French opera house occur Paris. The characters use familiar, if outdated, dialect. The era where the whole story occurs, the past due eighteen hundreds, is very realistic also. Horses and carriages are used as the mode of transportation still, the musical pieces sung in the novel are pieces that might be sung at other operas throughout that time frame, and the design of clothing is what will be expected of the era. This base of the truth is common to both Magical Realism and also Fantastic literature. The attitudes of the characters are extremely realistic also. At the masked ball, the Parisians participate whole heartedly, accepting the essential notion of masking their identification as the standard ball activity. In the current time, the dressing incognito idea can be an unusual one. The people do not accept the thought of the "Opera Ghost" as a genuine ghost and several exhibit a disbelief, because they would in rea...