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Formalist: The formalist approach tends to focus on the formal elements of a bit of work. Even a formalist critic sees literature as a work of art instead of a manifestation of the writer. This approach is useful when assessing fiction and drama since the words and images form the job itself. When studying a more intricate story, a formalist critic will raise questions regarding the complexities. Formalist strategies reveal significance and reinforce the subject of a text. Biographical: Biographical only way of or pertaining to a person's life. A variety of authors base their writings on the occasions that they have experienced in their own lives. Thus, the usage of biographical approaches, or knowledge of an author's life, may cause a more appropriate understanding of a bit of literature. While this particular strategy will not sharpen a specific piece of work, it has the potential to explain the writer's beliefs into the reader. However, knowledge of the events in an author's life may also raise tough questions regarding their writings that would be left available to the interpretation of the reader. Emotional: Sigmund Freud's psychoanalytic theories have been used to investigate many elements of literature, for example: the motives of a personality, the symbolic significance of events in a piece of literature, the more conscious or subconscious motives of a writer, along with the viewers response to a text. As an example, Freud's notion of the Oedipus complex resulted in an examination by Earnest Jones of Hamlet's delay in the avenging of his dad's death. Jones thus determined that Hamlets subconscious motives led to his delay. Through emotional strategies, one can better research both conscious and subconscious motives of the writer and the characters...