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At Arthur Miller's The Crucible, we're set to watch as paradoxical, in that the positive, individual quality of belonging inevitably carries with it the dangerous and negative corollary of exclusion. By belonging, we're automatically excluding the others and excluding ourselves from other groups. The Crucible achieves this intricate demonstration of belonging through a variety of interconnected techniques that can be researched in this informative article. These techniques might be classified into four chief categories: conflict, characterisation, heightened vocabulary and juxtaposition; conflict become the foremost. Firstly let's consider battle. In every act of the drama, we see that the overwhelming urge to belong resulting in a climax of battle amongst the characters, that has the result of exclusion. Conflict is a successful literary technique, as it engages the audience and focuses our attention on the issue of controversy and conflict, caused by the characters' needs to be approved by their community. At the beginning of the novel, we're hoping to observe a secure society, peaceful, tight knit and strongly Christian; however the moment the curtain rises, we can sense the tension in the town. As the very first act advances, we see throughout the numerous conflicts between the figures that this society isn't as close a kinship as it claims to be. We witness Parris' desire to be contained in the neighborhood -- so strong that he wishes to cover up any hint of witchcraft connected with him or his daughter. He is essentially excluding his daughter to assure his own inclusion with the city. The act brings to a close with all the girls' hysterical shouts -- Abigail is having the accusations against her to get a place of power from the society. I.. .