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Salman Rushdie’s ‘Midnight’s Children’ 1 Launch This paper will attempt showing how Salman Rushdie uses narrative technique, genre and the idea of history in an exceedingly new method in Midnight’s Children to be able to place his story beyond your euro-centric custom of literature, history and narrative. These traditions, appearing in the colonial period, have constructed a concept of universalism in literature where in fact the ‘classics’ of the western canon have set the order of your day (Ashcroft 91-92). Additionally, background has been created with Europe as the main topic of all interpretations of background (end up being they Whig, Tory, Marxist, etc.), hence constructing a grasp narrative which Chakrabarty telephone calls ‘the past background of Europe’, where also the histories of the 3rd world countries are created with European countries as subject (Chakrabarty 383). The idea of background presented in Midnight’s Kids (elaborated on in section 4) attempts never to replace the center in this traditional binary of center and margin, but instead to deconstruct this binary to be able to access history and literature. Salman Rushdie attempts to break the binary by utilizing a very different sort of narrative, an assortment of an oral narrative design with all the current colloquialisms typical of this style, on the main one hand, and an extremely formal style usual of written vocabulary on the other. Furthermore various other ‘Englishes’ like Pidgin English are utilized. These components serve to put the novel beyond your Western tradition, though it uses a language, English, and a file format, the novel, which are central to the Western literary canon. I am going to analyse the genre and design of the novel showing how Rushdie accomplishes all of this. Next I shall make an effort to display that the n...