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Philosophy in Albert Camus' Two Books, The Unknown person and The Fall One of the most observed supporters of early French existentialism, Albert Camus, composed almost a dozen outstanding literary works coping with this philosophy. His first novel, The Stranger, and a book later, The Fall, are recognized as two masterpieces of philosophical literature, not only in the context of Camus’ own work, but in the broad scope of philosophy as well. Both novels handle the struggle of an individual to identify himself in a global world of absurdities; published more than a decade apart, however, they pull different findings on the subject matter amazingly. Therefore, an examination of the primary characters of each novel and a contrast of their individual thoughts and actions will reveal the transformation that overtook Albert Camus because of this of his encounters over the course of this ten years. Begun in 1942, while Camus was operating as an publisher for Le Fight, the subterranean level of resistance paper, The Unknown person is usually the tale of one Monsieur Meursault, a citizen of France Algeria cursed with a unabashed and challenging trustworthiness. This trait, being the only truth that he can accept, can be the basis of his existence as a result. Holding no belief in speaking of the “benign indifference” of the world around him, Meursault is caught in a plethora of social absurdities for which no understanding nor need. For example, in speaking of the his mom, the story is certainly opened up by whose loss of life, he claims: “I liked her mainly because very much as anyone enjoys their mom,” and, when belittled for his decision to place her in the accurate house for Ageing People, records that “for years she experienced nothing at all to state to me...she was moping around with nobody to speak to.” It is normally this type of behavior, honest, pragm ultimately...