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Critique of Christmas Time in Charles Dickens' A Christmas Carol A viewer member's gleeful firsthand accounts of Charles Dickens's public reading of "A Christmas Carol" unwittingly exposes a frequently overlooked contradiction from the narrative climax: "Ultimately, there's Scrooge, no more a miser, but a human being, yelling in the 'heterosexual' boy in Sunday clothes, to buy him the trophy turkey 'that never would have stood upon his legs, that bird'" (96). Perhaps he's no more a miser but, with this description, Scrooge nevertheless plays the function of a capitalist oppressor, commanding underlings to bring him luxuries. While Dickens definitely lauds Scrooge's epiphany and ensuing alter, "A Christmas Carol" also hints at the author's resentment for an industrial society's corrupted idea of their "Christmas spirit." Through cases of goodwill which Christmas provokes, Dickens implies that Christmas is only an interruptive exception from the otherwise capitalistic calendar. When Scrooge becomes altruistic, as from the above scene, his philanthropy still functions under the guise of capitalism, measured in economic conditions and geared towards supplying himself with pleasure. Dickens subtly turns his review of ephemeral and covetous "holiday time" into the reader. The simple, Aristotelian structure of the story and the constant foreshadowing and repeat decrease any potential anxiety concerning the story's result. The most important cause for anxiety over the end of any sentimental tale is to identify with the protagonist in some manner. Even though Scrooge is really a caricature with whom couple would commiserate (or admit to this doing), Dickens's Three Spirits lure us into sympathy with all the miser whilst simultaneously engenderi...