Get help with any kind of project - from a high school essay to a PhD dissertation
Beauty is normally a phenotypic, gene-powered state, but is socially built within society also. Beautiful individuals are often given preferential treatment and are viewed as superior and charming. However, ugly individuals are viewed differently, they are generally treated as outcasts, and considered inept and morally malicious socially. The reproduction of dominant ideologies, such as for example these, reinforce cultural norms, which are expectations and cues within society, and the energy of ruling classes. This ideological power can be used as a way of social control, through cultural hegemony - the overbearing dominance of an ideology leading to conformity and an almighty consensus. These hegemonic powers normalize and strengthen interpersonal inequality among the many socially constructed normative characteristics within our society, beauty with regards to Frankenstein specifically. A mixture of the social construction of beauty and the self-fulfilling prophecy, society associates expected social roles with learned behaviors often, and correlate the two to one another often. This idea is obviously depicted throughout Frankenstein, when culture interrelates an ugly appearance with an immoral personality automatically. In Frankenstein by Mary Shelley, the constructed category of beauty is reinforced and directly impacts morality socially. Specifically, this could be seen through the self-fulfilling prophecy and in Victor Frankenstein's creature, and how his external aesthetic to be ugly and grotesque forces society to correlate his appearance with being evil and monstrous, changing his morality from benevolent to corrupted ultimately. Physical appearance may be the first characteristic observed in others that induces judgment often, since it prevalently is, outwardly displa...