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The relationship between the Miller and the Miller's Tale is close, for the narrative is a reflection of their teller. The Miller's narrative is a fabliau, a genre best described as a brief story filled with ribald and humor. The Miller's tale is composed of events of "cuckoldry" (Chaucer 1720), "foolishness" (1718), and "secrets" (1719). Notification such a story, the Miller can quickly be categorized as a person of low social status using a vulgar sense of humor full of shrewdness. However, since the tale continues, it reveals the sudden soft side of the Miller since he sympathizes with the troubled girl trapped in the norms of culture. Thus, the Miller's characteristics of obscenity, deception, and also sympathy drive the storyline of his narrative. In his attempt to transcend the Knight, the Miller sacrifices decorum to the interest of amusement, representing his bawdy nature. When first traveling with all the Miller, Chaucer reacted to this Miller bellow "his own ballads and jokes of all harlotries" (1712). Scandalous topics appear throughout the Miller's tale of a young woman "so adorable and so slender" named Alison who cheats on her husband, John, with his student, Nicholas (1720). When "handy Nicholas" first encounters Alison, he "[grabs] her between the legs" and woos her, and they devise a strategy to sleep with one another secretly (1721). This lecherous scheme fuels the entire plot of the tale. On the other hand, the parish clerk Absolom together with his "gray eyes" and "nightingale" character, typical characteristics of sensual men, tries to acquire Alison's heart (1722, 1723). Although Absolom uses every procedure to acquire Alison's heart even chewing "licorice and cardamom," he ends up licking her "bare bum" whereas Nicholas moans with her (1729, 1730). Chaucer's initial experience with all the drunken Mi...