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The country- house poem developed into a literary genre in the first decades of the seventeenth- century. Aemilia Lanyer's, 'The description of Cooke- ham', and Ben Jonson's, 'To Penshurst' expressly signify the little genre which flourished so briefly. These poems are considerably more than domestic architecture and are more than simple exercises in mind boggling and gratifying a rich patron and also the readership at large. In state- home poetry, poets utilize the conjunction of the perfect family (the patron's) and also the perfect website (the real estate and surrounding regions in which the patron and their family reside) as a way of reflecting on social values, the essence of the fantastic life, as well as the manners in which other households fall short of the mark. The country- house decoration, to put it differently, can be a vehicle of social criticism as well as of praise. Lanyer and Jonson observe fantastic places and the joy that they enjoyed their; locating an Eden is truly rare, however, the families survive in literature as paradises in their own right. Jonson was well documented as having aspirations to climb from lower rank to higher; to be part of and have influence on the court team; to claim friendship with those with high birth and chronicle their merits and over all to profit from his patrons' the ability to speak for his civilization. This information could be paralled in what we know about Lanyer, they are almost exact contemporaries, intricately connected in literary study of the genre. Lanyer was one of those very few published women poets of the Renaissance. Her single volume of poems 'Salve Deus Rex Judaeorum' was printed in 1611 and included a string of dedicatory poems to patronesses, praising them as a part of modern great ladies. The final poem of ten, 'The d.. .