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Katherine Mansfield belongs to some group of female writers that have used their financial assets and social status to review that the patriarchal status quo. Just like Virginia Woolf, Mansfield has been socioeconomically fortunate enough to compose powerful texts that were deemed as 'proto-feminist' before the initial feminist movements. The progressive era where Mansfield writes demonstrates to be especially problematic since, "[w]hile the Modernist tradition generally undermined middle-class worth, girls did not have the recognized rights necessary to fully embrace the liberation from the[se] values" (Martin 69). Her short stories highlighted particular aspects of feminine oppression, ranging from gendered social inequality to economic classism, and it's evident that "[p]oor or rich, married or single, Mansfield's women characters are all victims of their society" (Aihong 101). Mansfield's short stories, "The Garden Party" and "Miss Brill", signify the feminist struggle to recognize traditional patriarchy within an intrinsic caste system in modernity. This notion is exemplified through the social bonds women produce, the naïve innocence related to the upper class, and also the purposeful dehumanization of girls through oppressive patriarchal methods. By analyzing the female figures at "The Garden Party" and "Miss Brill", it's evident that their relationships with different characters and themselves inform the reader of their encultured classist preconceptions, which can be beneficial to examine before talking about the sources of oppression. Social and internal dialogue is representative of their enculturation process that Laura and Miss Brill have been subjected to. Both of Mansfield's short stories represent a binary option: Laura's realizations of all...