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Toomer's Seventh Street, Depicts Life and Issues from the Prohibition Stage Toomer captures very deep thoughts in his composing in rather simple language. How he operates his ideas to the text is awesome. In "Seventh Street," an excerpt from his larger work, Cane, Toomer blends ethnic thoughts together while talking about issues that involve the entire general spectrum. He starts with a four-line poetry which brings the reader in and helps him to picture the atmosphere. Money burns off the pocket, pocket hurts, Bootleggers in silken tops, Ballooned, zooming Cadillacs, Whizzing, siphoned the street-car paths. The world Toomer is talking about seems quite busy and fast-paced. He utilizes street imagery to make the feeling of energy and excitement. In those first few lines of text, then he also brings up the subject of Prohibition indirectly. He talks of the way the bootleggers, people who find a means to get their hands on alcohol and then sell it illegally, are quite wealthy and drive up and down Seventh Street within their Cadillacs with their nice clothes and their money practically burning holes in their pockets. The previous line is significant in that he gets the point that they're driving down the street-car paths in Cadillacs. It appears as though he's making the distinction between the elite and the folks of lesser means. At the beginning of the prose segment, Toomer describes Seventh Street because the "bastard of Prohibition and the War." Seventh Street is a item of Prohibition and World War I merged together. He proceeds to explain just how Prohibition and World War I influence the events and the men and women who live on this road. The people feel as if too many rights are being removed from them together with the beginning of...