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On the surface, John Donne’s poem “The Flea” dramatizes the conflict between two different people on the problem of premarital sex, however, under the surface area, the poem uses spiritual imagery to seduce the girl into having sex. The loudspeaker in this poem is certainly a man, who's strategically trying to persuade a woman to possess premarital sex with him through the conceit predicated on a flea, however, the coy lady has so far yielded to his lustful wishes. The speaker’s argument gets the kind of logic, which contradicts to its outrageous content. In the initial stanza, the loudspeaker wants his beloved woman to see a flea rather than think of other things as he provides his argument. A flea bites the loudspeaker and his beloved leading to their blood to combine, which, based on the narrator, is equivalent to having sex and creating a kid. Then, the speaker explains to the girl that mixing of blood is neither shameful nor sinful, or a lack of the woman’s “maidenhead.” He also explains they have conceived a kid a through the combining of bloodstream in the flea. He starts this stanza with a caesura in the center of the line. Including the first line, “Mark but this flea, and mark in this,” includes a definite pause between your words “flea” and “and. ” The loudspeaker pauses because he's trying to form some kind or kind logic out of his argument for himself. The oratorical tone of the poem is interwoven throughout all three stanzas with run-on lines, making the tempo of the poem appear as though the speaker had not been trying to rhyme. Devoid of a conversational tone in the poem, would eliminate from a few of the intimacy of what. The reader must read between your relative lines and stanzas, because actions happen in the blank spaces between them. We...