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The Fusion of Content and Form in Sonnet 29 Among the most popular of this adjusted poetic forms in English literature is the sonnet. Attributed to the Italian poet Petrarch in the fourteenth century, the sonnet is still employed by many modern authors. The appeal of the sonnet lies in its two-part arrangement, which readily lends itself to the dynamics of much human psychological experience and to the intellectual mode of human sensibility for argument predicated on complication and resolution. In the last decade of the sixteenth century, sonnet writing became highly trendy following the publication of Sir Philip Sydney's sonnet sequence Astrophel and Stella, printed in 1591. Sonnet sequences were widely read and admired at this moment, circulated in the court, and read one of friends and authors. Shakespeare took this up tendency, adapting his substantial talent to the literary manner while writing for the theater. He specifically followed the Kind of the sonnet as embraced by the Italian into English from the Earl of Surrey and Sir Thomas Wyatt. Bound from the conventions of this sonnet, Shakespeare used the form to explore the very same themes as early Latin, Italian, and French poetry. He treated the topics of the transient nature of youth and physical attractiveness, the fallibility of love, and also the character of friendship. Even the dominating conceit of Shakespeare's order--that the poet's claim that his poems will confer immortality on his topic--is one that extends straight back to Ovid and Petrarch. In Shakespeare's hands, but the entire potentiality of the sonnet form emerged, making for it the poet's title. The Petrarchan and Shakespearean sonnet are alike because they both present and address an issue. The P.. .