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Monsters run in epic poems of centuries far past; horrific, villainous creatures of dream who exemplify all that's bad in the world and endure for the tribulations that the epic hero considerably overcome. The Anglo-Saxon epic Beowulf is no different. Many are born of, and then give birth to legends, such as the fire-breathing dragon, while some are tied into the bible. In studies, Beowulf's monsters are clarified and will continue to be examined as emblematic of countless distinct ideas. In relation to one another along with the epic hero, the monsters of Beowulf signify the ever-present defects of humankind as well as the monstrous emotions or behaviors that over pick the mind in a moment of weakness, leading to eventual downfall. Like most of monstrous creatures, Grendel is released as being unnatural, a fanatic, a вЂњprowler through the darkвЂќ (86). As a fanatic, Grendel is of biblical origin, or perhaps was awarded the biblical genealogy of the House of Cain in a subsequent christian re-adaptation of the вЂњpaganвЂќ story. Being of this point of Cain, Grendel exhibits direct lineage in his mirroring of Cain's fatal downturn: jealousy. For having killed his own brother Abel from pure envious rage, Cain's clan was stung from the Creator, that вЂњhad cried /and convicted [his descendents] because outcastsвЂќ of culture to reside only in the miserable company of other critters (106-7). IN a world in which the mead hall was the center of society and the source of both wealth and community, Grendel is abandoned on the outskirts and undesirable within the walls. For years, he lurked independently, hearing вЂњthe din of the loud banquet in the hallвЂќ (88-9), pacing in the marshes night after night, forced to hear the music, the stories, the bliss taunting him, before he.