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Opera at the Romantic Period was a period when opera shifted radically, particularly in the nation of Italy. The recognition of singers as being significant, nearly irreplaceable, at the craft of "bel canto" opera changed the idea of a vocalist in opera forever. A singer's voice has been precious and Italian composers, like Rossini, Donizetti, and Bellini wrote operas and functions to showcase the voice, it is colour, range and agility. All these Italian composers were going away from the standard style of makeup of the moment, along with the composer Rossini, who set the platform for many other followers. A number of the operas written in this time are still performed today and so are highly commended. For the large part, before Italy became a main player, France and Germany were the main areas for music. These composer's lives were very critical in the growth of the romantic time of cinema and they actually put Italy from the eye of the people for their awesome operas and musical styles. "Bel canto," which interpreted means "beautiful singing," was an essential factor taken under consideration from the romantic age. According to Charles Osborne, bel canto singing can be defined as "a process of singing educated by the German masters  in which eloquent emission of tone, attractiveness of timbre and sophistication of phrasing are among the most crucial elements (Osborne, intro)." The major kind of voice for this "bel canto" singing is the coloratura. Coloraturas have a very wide variety and have a great deal of vocal agility, moving from note to notice extremely quickly. At a lot of romantic songs, cadenzas were composed with this kind of singing in mind. Picture 1 is the score out of Rossini's Il barbiere di Siviglia and shows an example of the coloratura singi...