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Assessing Joyce's Ulysses and T.S. Eliot's Love Song of J. Alfred Prufrock In Episode 8 of Ulysses, Joyce sends Bloom along with the reader through a gauntlet of meals which expands among the book¹s main socialization approaches, that of slow digestion. While Episode 10 can look to be a more appropriate selection for a visual representation of this city, this episode maps digestion out like Bloom wanders the streets of Dublin, together with ideas entering foremost through the human body and leaving them. In T.S. Eliot¹s poem "The Love Song of J. Alfred Prufrock," that the stanzas deescalate the city from skyline into sea-bottom in accordance with the mock-hero¹s own inability digest completely any comprehensive thought all of the way through. Bloom refers to the process of eating with precision appropriate to the job: "And we stuffing food in one hole and out behind: food, chyle, blood, dung, soil great: have to feed it like stoking an engine" (144-5). Really, this is the words consider in the novel; they begin in a pristine form, as composed on a page (such as Martha¹s "Are you not happy in your home you poor little naughty boy?" That, despite its impure implications, is at least black ink on white paper) and filters to each point of Bloom¹s travel (as in Episode 8, 137). The gradual digestion of words matches with the other of Martha¹s traces, the typographical error "I called you naughty darling because I do not like that other planet" (131). These words turned into "worlds," dividing a space as they travel through Dublin with Bloom. Bloom tosses the "throwaway" into the Liffey, and its own words sail down not merely the river, however together with Bloom, causing him trouble and penalizing him as a throwaway himself. Words frequently signal at their very own generation or foreshadow a different...