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From the beginning, Babbitt wanted to escape out of his lifetime of middle-class monotony (early fairy woman reference). He lived his entire life tied to the pressures and assumptions of all his peers, not forming his own opinion. Attempting to rebel in the conservative businessman standing, '' he seeks acceptance from the Icelandic crowd named "the crowd". Discovering the difference between the two lifestyles, Babbitt contributes to his previous life when his wife falls sick. He then encourages his son to pursue the life he always wanted but never needed, a life full of excitement and unpredictability, a real life. Originally, Babbitt dreams of a fairy child, that partly represents an escape from most of the people about him (two). This fairy woman would run away together on experiences, and he would be free of his actual life. This is just a dream however, and Babbitt is secured in to his life because of middle-aged husband/father of three/businessman, a boring way of life. Babbitt is attracted to friendship with Paul Riesling, somebody who always wanted to follow a professional violin profession, and questions the joy of life often. This friendship indicates that Babbitt wants to escape. Babbitt seeks all the modern conveniences including expensive alarm clocks (3) and cigarette lighters (47). His house is just like every other home, extravagant and impersonal (13). He is wrapped up in the middle-class lifestyle, and is tuned to the attitudes and opinions of those around him (67). He won't take a stand to get an unpopular view unlike Riesling from the train incident (130). He possesses membership into the Booster's club, a public sign of mutual approval among members (64). Babbitt tries to enhance his own life by making honorable resolutions, like eating healthy and quitting smok...