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Seasons can communicate plenty of meanings. Although the Kokinshū includes numerous segments, the seasonal sections are the best at communicating the ability of human imagination. The seasons in poetry have been used to show everything in the passing of time as well as evoke feelings such as love and isolation. As shown in the spring segments of the Kokinshū, seasons have been treated in poetry through their development from one part of their season to another, seasonal imagery in describing the season, related emotional expressions, and the connecting of human emotion into the natural environment. For every seasonal segment, there is a development from beginning to end within this season. Every year is published in a revolutionary nature with poetry explaining the start of a year coming before poetry to the close of the season. This is clear for spring, that starts with, "fallen snow [which] lingers on" and concludes with a poet lamenting that "spring ought to take its leave" (McCullough 14, 39). The imagery progresses in the end of winter, with snow still lingering around to if the symptoms of spring are evaporating. Although each poem alone doesn't show much concerning the time of the year, when placed into the context of other poems a deadline emerges from one season to another. Each poem is connected to another poem once it regards the entire anthology. By getting each poem put to the context of a different, a feeling of business emerges inside each section. Each poem results in the meaning of a set of poems. The images used are meant to evoke a specific point in every season from the snow into the blossoms to the falling of the blossoms. Since each poem stands alone and does not have any true plot they lack the significance of when they were placed into th...