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The link between expressionism and terror immediately became a prominent feature in several movies and has been prominent in contemporary films mainly because of the German expressionist masterpiece Das Kabinett des Doctor Caligari. Wiene's 1920 Das Kabinett des Doctor Caligari utilized a distinguishing creepiness and the uncanny through the movie that became one of the most distinctive characteristics of externalising inner mental and emotional conditions of protagonists through different expressionist methods. Its revolutionary and advanced new art was heavily influenced by the German country and its populace in conjunction with their experience of warfare; Caligari chose a obvious clue from what had been happening in Germany at the time. It was this film that place cinematic conventions which still use today, heavily influencing the subsequent Hollywood movie noir genre as well as the psychological thrillers that has lead many movie audiences to engage with a film, its personality, its storyline and expect its outcome, simply to wonder whether the whole movie was a fantasy, a story of a crazy guy, or an elaborate role play. This concept of the familiar and the strange, the truth, the illusion as well as the fantasy developed in Das Kabinett des Doctor Caligari, is once more present in Scorsese's 2010 movie Shutter Island. It is laced with influences from other movies of this movie noir and horror genre, and lots of themes which are directly linked to Das Kabinett des Doctor Caligari taken 90 years prior. The vast majority of Das Kabinett des Doctor Caligari is told via a series of flashbacks, with the scenes having expressionist-inspired set design and deformed areas to emphasize the unreliable and deluded state of mind of the storyteller. The youthful protagonist Francis informs the...