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| Project id | 1008418 |
|---|---|
| Subject area | Writing |
| Document type | Essay |
| Words | 2610 |
The piece I decided to examine is the famous sculpture, Laocoön and his two sons. I decided with this particular bit for a few reasons, one being the emotion we all view on the subjects' faces, along with the other being the importance for prospective art. As soon as I started this research I could not have possibly known the relevance this piece had on the artwork that was yet to come. The Hellenistic period of Greek art spans in the time of Alexander the Great's death in 323 to 30 B.C.E. ("Hellenistic Period" 1). However there were controversies of precisely how long the Hellenistic period lasted. Some argue that by C. 400; into the very first century can be categorized as "Pre-Hellenistic" (Janson 138-139). "Hellenistic, is a phrase intended to communicate the spread of Greek culture southeastward" (Janson 138). However, within this broad variety of Hellenistic art, there are sub categories. Back in 240 B.C.E, a brand new era of Hellenistic art came to consideration, this really was the Hellenistic "Baroque" period, this interval of artwork introduced not only the full three dimensional characteristic of palaces, but also dangled in motion. They loved portraying not only struggles and violent action, but they also started to spell out the nasty, along with the old. (Or"Hellenistic Period" 1).) Laocoön and his two sons had been located in 1506 around the Esquiline Hill in Rome ("Musei Vaticani -- sito ufficiale"). As it was found Pope Julius the next, recognized it from the description he had observed in the writings of Pliny the Elder. This enabled the pope to realize that the sculptors were Agesander, Athenodorus, and Polydorus of Rhodes. (Janson 147).) The pope chose to display this piece along with others in what was once called the Cortile delle Statue, however, what's now known as the Octagonal Court inside.
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