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Dracula, because it was composed by Bram Stoker, gifts to us possibly the most infamous creature in all of literature. Count Dracula, as a literary character, has come to represent the periphery between the majority and being a person into that category. Dracula's allure throughout the last few years and genres no doubt stems from his sense of romanticism and creature. Reader's no uncertainty are drawn to some "bad-boy" sensibilities, which offer an attraction into the novel. Looking first at his physical appearance, personality, and behaviour at the beginning of the publication, we can readily see Dracula's blurred outsider status, since he occupies the bounds of both individual and creature. Connected to this is Dracula's geographic awareness of outsider. For all intents and purposes, Dracula is an immigrant to England, thus putting him further into the realm of outsider. To look at Bram Stoker's Dracula as only a monster in the most violent awareness of his actions will be seem at a sole part of his character, and so we have to have a look at how he interacts with the external world to truly comprehend him. The purpose of Dracula's actual description is to place him from humankind and watch how he stacks up. He has various features which obviously make him a vampire, like a pair of sharp teeth. But there are other peculiarities to his description that mark him as being the outsider. For instance, when Jonathon Harker, and by extension the reader, initially meets Dracula, he describes him as being "a tall old man, clean shaven save for a very long white moustache, and clad in black from head to foot" (Stoker 15). At this point, he's a regular looking man, or at least normal enough that nothing ignites a reaction in Jonathon. Later, but the aberrant ministry of Dracula co.. .