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In the short tales Hell-Heaven by Jhumpa Lahiri and The Yellowish Wallpaper by Charlotte Perkins Gilman both tales convey very similar theme. Gilman’s short tale, The Yellow Wallpaper, tells a tale of a mentally unstable wife, while Lahiri’s short tale, Hell-Heaven, informs us in regards to a mother and daughters tale from the perspective of her daughter. The characters from both stories result from different cultures but a very important factor they both have in common is their roles. They marry with the goal of serving for household responsibilities such as cooking, washing, laundry, and looking after children if indeed they have any. Also enables not forget another work they have is certainly keeping the spouse satisfied and happy! In both stories the marriages are in ways similar one to the other because they are not just one bit satisfied in the problem they are in because of their husbands. In The Yellow Publication the wife is normally in a confined space with “barred home windows and there are bands and items in the walls,” from what happens to appear such as a crazy asylum where she actually is kept due to her controlling spouse John, who is your physician and her consultant. In this brief story, the unfamiliar wife is held from venturing out or performing what she really wants to do, which is composing. Like any additional wife her just wish is to accomplish a very important factor, which is to maintain her spouse happy. “I designed to be such a help John, such a genuine comfort and rest, and right here I am a comparative burden already! ” She's a husband who says who she's “hook hysterical tendency,” which she believes differently but since her husband is your physician of a higher standing all she can do is nod and agree. Though she thinks he's wrong even, nothing she says can transform his brain. In Hell-Heaven Boudi, the mom, is in an arranged marriage...